Here’s a trick question – can you make the color “yellow” with only red, green, and blue as your color palette?  If you’re a scientist, it’s not a problem.  But if you’re an artist, you’re in trouble already.


The key is that we would be mixing light, not paint.  Mixing the three primary colors of light gives white light.  If you took three light bulbs (red, green, and blue) and shined them on the ceiling, you’d see white.  And if you could magically un-mix the white colors, you’d get the rainbow (which is exactly what prisms do.)


If you’re thinking yellow should be a primary color – it is a primary color, but only in the artist’s world.  Yellow paint is a primary color for painters, but yellow light is actually made from red and green light.  (Easy way to remember this: think of Christmas colors – red and green merge to make the yellow star on top of the tree.)


As a painter, you know that when you mix three cups of red, green, and blue paint, you get a muddy brown. But as a scientist, when you mix together three cups of cold light, you get white.  If you pass a beam white light through a glass filled with water that’s been dyed red, you’ve now got red light coming out the other side.  The glass of red water is your filter.  But what happens when you try to mix the different colors together?


The cold light is giving off its own light through a chemical reaction called chemiluminescence, whereas the cups of paint are only reflecting nearby light. It’s like the difference between the sun (which gives off its own light) and the moon (which you see only when sunlight bounces off it to your eyeballs). You can read more about light in our Unit 9: Lesson 1 section.


Here’s what you need:


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You can demonstrate the primary colors of light using glow sticks! When red, green, and blue cold light are mixed, you get white light.


Simply activate the light stick (bend it until you hear a *crack* – that’s the little glass capsule inside breaking) and while wearing gloves, carefully slice off one end of the tube with strong cutters, being careful not to splash (do this over a sink).


Cut off the ends for all three light sticks. Pass the contents of the light sticks through a coffee filter (or paper towel) into a disposable cup – this will capture the glass bits. Now your cup should be glowing white.


Sometimes the chemical light sticks contain a glowing green liquid encapsulated within a red or blue plastic tube, so when you slice it open to combine it with the other colors, it isn’t a true red. Be sure that your chemical light sticks contain a glowing RED LIQUID and BLUE LIQUID in a clear, colorless plastic tube, or this experiment won’t work. Order true color glow sticks here.


Exercises


  1.     What color do you get when you mix blue and green liquid lights?
  2.     What happens when you start to add the red light?
  3.     What is your final color result when mixing red, blue, and green lights?
  4.      How would your result differ if you instead mixed red, blue and green paints?

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When you warm up leftovers, have you ever wondered why the microwave heats the food and not the plate? (Well, some plates, anyway.) It has to do with the way microwave ovens work.


Microwave ovens use dielectric heating (or high frequency heating) to heat your food. Basically, the microwave oven shoots light beams that are tuned to excite the water molecule. Foods that contain water will step up a notch in energy levels as heat. (The microwave radiation can also excite other polarized molecules in addition to the water molecule, which is why some plates also get hot.)


One of the biggest challenges with measuring the speed of light is that the photons move fast… too fast to watch with our eyeballs.  So instead, we’re going to watch the effects of microwave light and base our measurements on the effects the light has on different kinds of food.  Microwaves use light with a wavelength of 0.01 to 10 cm (that’s ‘microwave’ part of the electromagnetic spectrum). When designing your experiment, you’ll need to pay close attention to the finer details such as the frequency of your microwave oven (found inside the door), where you place your food inside the oven, and how long you leave it in for.


Materials:


  • chocolate bar (extra-large bars work best)
  • microwave
  • plate
  • ruler
  • calculator
  • pencil and paper

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First, you’ll need to find the ‘hot spots’ in your microwave.  Remove the turntable from your microwave and place a naked bar of chocolate on a plate inside the microwave.  Make sure the chocolate bar is the BIG size – you’ll need at least 7 inches of chocolate for this to work.  Turn the microwave on and wait a few minutes until you see small parts of the chocolate bar start to bubble up, and then quickly open the door (it will start to smoke if you leave it in too long).  Look carefully at the chocolate bar without touching the surface… you are looking for TWO hotspots, not just one – they will look like small volcano eruptions on the surface of the bar.  If you don’t have two, grab a fresh plate (you can reuse the chocolate bar) and try again, changing the location of the place inside the microwave.  You’re looking for the place where the microwave light hits the chocolate bar in two spots so you can measure the distance between the spots. Those places are the places where the microwave light wave hits the chocolate.


Open up the door or look on the back of your microwave for the technical specifications.  You’re looking for a frequency in the 2,000-3,000 MHz range, usually about 2450 MHz.  Write this number down on a sheet of paper – this tells you the microwave radiation frequency that the oven produces, and will be used for calculating the speed of light. (Be sure to run your experiment a few times before taking actual data, to be sure you’ve got everything running smoothly.  Have someone snap a photo of you getting ready to test, just for fun!)


When you’re ready, pop in the first food type on a plate (without the turntable!) into the best spot in the microwave, and turn it on.  Remove when both hotspots form, and being careful not to touch the surface of the food, measure the center-to-center distance using your ruler in centimeters.


TIP: If you’re using mini-marshmallows or chocolate chips (or other smaller foods), you’ll need to spread them out in an even layer on your plate so you don’t miss a spot that could be your hotspot!


How to Calculate the Speed of Light from your Data

Note that when you measure the distance between the hotspots, you are only measuring the peak-to-peak distance of the wave… which means you’re only measuring half of the wave.  We’ll multiply this number by two to get the actual length of the wave (wavelength).  If you’re using centimeters, you’ll also need to convert those to meters by dividing by 100.


So, if you measure 6.2 cm between your hotspots, and you want to calculate the speed of light and compare to the published value which is in meters per second, here’s what you do:


2,450 MHz is really 2,450,000,000 Hz or 2,450,000,000 cycles per 1 second


Find the length of the wave (in cm): 2 * 6.2 cm = (12.4 cm) /(100 cm/m) = 0.124 meters


Multiply the wavelength by the microwave oven frequency:


0.124 m * 2,450,000,000 Hz = 303,800,000 m/s


Published value for light speed is 299,792,458 m/s = 186,282 miles/second = 670,616,629 mph


Click here to learn how to turn this project into a Science Fair Project you can enter!


Exercises


  1. What would happen if you used cheese instead of chocolate?
  2. Does it matter where in the microwave the chocolate is located? Does placement of the chocolate affect the wavelength?
  3. Can you explain what the burn marks on the chocolate bar are from?

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ss-lwImagine you’re a painter.  What three colors do you need to make up any color in the universe?  (You should be thinking: red, yellow, and blue… and yes, you are right if you’re thinking that the real primary colors are cyan, magenta, and yellow, but some folks still prefer to think of the primary colors as red-yellow-blue… either way, it’s really not important to this experiment which primary set you choose.)


Here’s a trick question – can you make the color “yellow” with only red, green, and blue as your color palette?  If you’re a scientist, it’s not a problem.  But if you’re an artist, you’re in trouble already.


The key is that we would be mixing light, not paint.  Mixing the three primary colors of light gives white light.  If you took three light bulbs (red, green, and blue) and shined them on the ceiling, you’d see white.  And if you could magically un-mix the white colors, you’d get the rainbow (which is exactly what prisms do.)


If you’re thinking yellow should be a primary color – it is a primary color, but only in the artist’s world.  Yellow paint is a primary color for painters, but yellow light is actually made from red and green light.  (Easy way to remember this: think of Christmas colors – red and green merge to make the yellow star on top of the tree.) It’s because you are using projection of light, not the subtrative combination of colors to get this result.


Here’s a nifty experiment that will really bring these ideas to life (and light!):


Materials:


  • flashlight (three is best, but you can get by with two)
  • fingernail polish (red, green, and blue)
  • clear tape or cellophane (saran wrap works too)
  • white wall space

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Here’s what you do: Find three flashlights. Cover each with colored cellophane (color filters) or paint the plastic lens cover with nail polish (red, green, and blue). Shine onto a white ceiling or wall, overlap the colors and make new colors. Leave the flashlights on, line them up on a table, turn off the lights, and dance – you will be making rainbow shadows on the wall! In addition, you can paint the lens of a fourth flashlight yellow to see what happens.


When you combine red and green light, you will get yellow light. Combine green and blue to get cyan (turquoise). Combine blue and red to get magenta (purple). Turn on the red and green lights and the wall will appear yellow. Wave your hand in front of the lights and you will see cyan and magenta shadows. Turn on the green and blue lights, and the wall turns cyan with yellow and magenta shadows. Turning on the blue and red give a magenta wall with yellow and cyan shadows. Turn on all colors and you will get a white wall with cyan, yellow, and magenta shadows – rainbow shadows!


Troubleshooting: This experiment has a few things to be aware of. If you’re not getting the colored shadows, check to be sure that the flashlight is bright enough to illuminate a wall in the dark. Be sure to shut the doors, shades, windows, and drapes. In the dark, when you shine your red flashlight on the wall, the wall should glow red. Beware of using off-color nail polish – make sure it’s really red, not hot pink.


If you still need help making this experiment work, you can visit your local hardware store and find three flood lamp holders (the cheap clamp-style ones made from aluminum work well – you’ll need three) and screw in colored “party lights” (make one red, one green, and one blue), which are colored incandescent bulbs. These will provide a lot more light! You can also add a fourth yellow light to further illustrate how yellow light isn’t a primary color. Try using only red, yellow, and blue… you’ll quickly find that you can’t obtain all the colors as you could with the original red-green-blue lights.


Exercises


  1.  What are the three primary colors of light?
  2.  What color do you get when mixing the primary colors of light?
  3. How do you mix the primary colors of light to get yellow?
  4. Use crayons or colored pencils to draw what you saw when all three lights were shining on the wall and you waved your hand in front of the light.

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