When light rays strikes a surface, part of the beam passes through the surface and the rest reflects back, like a ball bouncing on the ground. Where it bounces depends on how you throw the ball.


Have you ever looked into a pool of clear, still water and seen your own face? The surface of the water acts like a mirror and you can see your reflection. (In fact, before mirrors were invented, this was the only way people had to look at themselves.) If you were swimming below the surface, you’d still see your own face – the mirror effect works both ways.


Have you ever broken a pencil by sticking it into a glass of water?  The pencil isn’t really broken, but it sure looks like it!  What’s going on?


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Tall glass of water, with a red pensil inside.When a beam of light hits a different substance (like the water), the wavelength changes because the speed of the light changes. If you’re thinking that the speed of light is always constant, you’re right… in a vacuum like outer space between two reference frames.


But here on Earth, we can change the speed of light just by shining a light beam through different materials, like water, ice, blue sunglasses, smoke, fog, even our own atmosphere. How much the light speed slows down depends on what the material is made of.  Mineral oil and window glass will slow light down more than water, but not as much as diamonds do.


How broken the pencil appears also depends on where you look.  In some cases, you’ll see a perfectly intact pencil.  Other times, you’ll guess neither piece is touching.  This is why not everyone can see a rainbow after it rains.  The sun must be at a low angle in the sky, and also behind you for a rainbow to appear.  Most times, you aren’t at the right spot to see the entire arc touch the ground at both ends, either.


Lenses work to bend light the way you want them to. The simplest lenses are actually prisms.  Prisms unmix light into its different wavelengths. When light hits the prism, most of it passes through (a bit does reflect back) and changes speed.  Since the sunlight is made up of many different wavelengths (colors), each color gets bent by different amounts, and you see a rainbow out the other side.


Double Your Money

Here are a few neat activities that experiment with bending light, doubling your money, and breaking objects. Here’s what you do:


Materials:


  • glass jar (or water glass)
  • penny
  • eyeballs


Download Student Worksheet & Exercises


Here’s what you do:


1. Toss one coin into a water glass (pickle jars work great) and fill with an inch of water. Hold the glass up and find where you need to look to see TWO coins. Are the coins both the same size? Which one is the original coin? (Answer at the bottom of this page.)


2. Look through the top of the glass – how many coins are there now? What about when you look from the side?


3. Toss in a second coin – now how many are there?


4. Remove the coins turn out the lights. Shine a flashlight beam through the glass onto a nearby wall. (Hint – if this doesn’t work, try using a square clear container.) Stick a piece of paper on the wall where your light beam is and outline the beam with a pencil.


5. Shine the light at an angle up through the water so that it bounces off the surface of the water from underneath. Trace your new outline and compare… are they both the same shape?


6. Add a teaspoon of milk and stir gently. (No milk? Try sprinkling in a bit of white flour.) Now shine your flashlight through the container as you did in steps 4 and 5 and notice how the beam looks.


7. Use a round container instead of square… what’s the difference?


Answers:
1. The smaller coin is the reflection.
2. One coin when glanced from above, two from the side.
3. Four.
4. Beam is a circle.
5. Beam is an oval.
6. I can see the beam through the water!!
7. The round container distorts the beam, and the square container keeps the light beam straight. Both are fun!


The coin water trick is a neat way for kids to see how refraction works. In optics, refraction happens when light  waves travel from one medium with a certain refractive index (air, for example) to another medium which has a different refractive index (like water).  At the boundary between the two (where air meets water), the wave changes direction.


The wavelength increases or decreases but the frequency remains constant. When you sine light through a prism, the wavelength changes and you see a rainbow as the prism un-mixes white light into its different colors.The light wave changed direction when it traveled from air to glass, and then back to air again as it leaves the backside of the prism.


Did you try the pencil experiment? Did you notice how if you look at the pencil (placed at a slant) partially in the water, it appears to bend at the water’s surface? The light waves bend as they travel from water to air. To further complicate things, the way the eye received information about the position of the pencil actually makes the pencil to appear higher and the water shallower than they really are! Can you imagine how important this is for trying to spear a fish? The fish might appear to be in a different place, so you need to account for this when you take aim!


Click here for the Disappearing Beaker experiment!


Exercises


  1. When one coin is in the water, you can actually see two:  Are the coins both the same size? Which one is the original coin?
  2. In step 2 of the experiment: How many coins are there when viewed from the top of the glass? What about when you look from the side?
  3. What happened when you tossed in a second coin?
  4. How did your outlines compare?

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We’re going to bend light to make objects disappear. You’ll need two glass containers (one that fits inside the other), and the smaller one MUST be Pyrex. It’s okay if your Pyrex glass has markings on the side. Use cooking oil such as canola oil, olive oil, or others to see which makes yours truly disappear. You can also try mineral oil or Karo syrup, although these tend to be more sensitive to temperature and aren’t as evenly matched with the Pyrex as the first choices mentioned above.


Here’s what you need:


  • two glass containers, one of which MUST be Pyrex glass
  • vegetable oil (cheap canola brand is what we used in the video)
  • sink

Published value for light speed is 299,792,458 m/s = 186,282 miles/second = 670,616,629 mph
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When a beam of light hits a different substance (like glass), the speed of light changes. The color of the light (called the wavelength) can also change. In some cases, the change of wavelength turns into a change in the direction of the beam.


For example, if you stick a pencil is a glass of water and look through the side of the glass, you’ll notice that the pencil appears shifted. The speed of light is slower in the water (140,000 miles per second) than in the air (186,000 miles per second), called optical density, and the result is bent light beams and broken pencils.


You’ll notice that the pencil doesn’t always appear broken. Depending on where your eyeballs are, you can see an intact or broken pencil.


This is a very fine point about refraction: when light enters a new substance (like going from air to water) perpendicular to the surface (looking straight on), refractions do not occur.


However, if you look at the glass at an angle, then depending on your sight angle, you’ll see a different amount of shift in the pencil. Where do you need to look to see the greatest shift in the two halves of the pencil? (Hint: move the pencil back and forth slowly.)


Depending on if the light is going from a lighter to an optically denser material (or vice versa), it will bend different amounts. Glass is optically denser than water, which is denser than air.


Here’s a chart:


Vacuum 1.0000
Air 1.0003
Ice 1.3100
Water 1.3333
Pyrex 1.4740
Cooking Oil 1.4740
Diamond 2.4170


This means if you place a Pyrex container inside a beaker of vegetable oil, it will disappear. This also works for some mineral oils and Karo syrup. Note however that the optical densities of liquids vary with temperature and concentration, and manufacturers are not perfectly consistent when they whip up a batch of this stuff, so some adjustments are needed.


Not only can you change the shape of objects by bending light (broken or whole), but you can also change the size. Magnifying lenses, telescopes, and microscopes use this idea to make objects appear different sizes.


Questions to Ask


  • Does the temperature of the oil matter?
  • What other kinds of oil work? Blends of oils?
  • Does it work with mineral oil or Karo syrup?
  • Is there a viewing angle that makes the inside container visible?
  • Which type of lighting makes the container more invisible?
  • Can we see light waves?

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Hans Lippershey was the first to peek through his invention of the refractor telescope in 1608, followed closely by Galileo (although Galileo used his telescope for astronomy and Lippershey’s was used for military purposes).  Their telescopes used both convex and concave lenses.

A few years later, Kepler swung into the field and added his own ideas: he used two convex lenses (just like the ones in a hand-held magnifier), and his design the one we still use today. We're going to make a simple microscope and telescope using two lenses, the same way Kepler did.  Only our lenses today are much better quality than the ones he had back then!

You can tell a convex from a concave lens by running your fingers gently over the surface – do you feel a “bump” in the middle of your hand magnifying lens?  You can also gently lay the edge of a business card (which is very straight and softer than a ruler) on the lens to see how it doesn't lay flat against the lens.

Your magnifier has a convex lens – meaning the glass (or plastic) is thicker in the center than around the edges.  The image here shows how a convex lens can turn light to a new direction using refraction. You can read more about refraction here.

A microscope is very similar to the refractor telescope with one simple difference – where you place the focus point.  Instead of bombarding you with words, let’s make a microscope right now so you can see for yourself how it all works together. Are you ready?

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How to Make a Microscope

Materials:

  • 2 hand held magnifiers
  • dollar bill
  • penny - Note: The penny used in this video shows the Lincoln Memorial, which was shown on pennies minted between 1959 - 2008.

Here's what you do: Hold one magnifying glass in each hand.  Focus one lens on a printed letter or small object.  Add the second lens above the first, so you can see through both.  Move the lens toward and away from you until you bring the letter into clear focus again.   You just made a microscope!  The lens closest to your eye is the EYEpiece.  The lens closest to the object is the OBJECTive. The image here is of the objective part of a compound microscope.  The different silver tubes have different sizes of lenses, each with a different magnification, so the same scope can go from 40X to 1,000X with the flip of a lens.

How do I determine magnification power for my microscope? Simply multiply the powers of your optics together to get the power of magnification. If you’re using one lens at 10X and the other at 4X, then the combined effect is 40X. You’ll usually find the power rating stamped in tiny writing along the magnifier.

So now you've made a microscope.  How about a telescope? Is it really a lot different?

The answer is no.  Simply hold your two lenses as you would for a microscope, but focus on a far-away object like a tree.  You just made a simple telescope… but the image is upside-down!

microscope1We don’t fully understand why, but every time we teach this class, kids inevitably start catching things on fire.  We think it’s because they want to see if they really can do it – and sure enough, they find out that they can!  Just do it in a safe spot (like a leaf on concrete) if that’s something you want to do. Click here for a detailed instructional video on how to do this safely.

How do I connect the flaming shrubbery back to the main optics lesson? Ask your child why the leaf catches on fire… and when the shrug, you can lead them around to a discussion about focus points of a lens.  It’s hard for kids to visualize the light lines through a lens, so you can shine a strong light through a fine-tooth comb as shown in the image above.  Use clear gelatin (or Jell-O) shapes as your “lenses” and shine your rays of light through it.  If your room is dark enough, you’ll get the image shown above.

The point where all the lines intersect is where things catch fire, as the energy is most concentrated at this point. Note how the lines flip after the focus point – this is why the telescope images are inverted.  The microscope image is not flipped because you’ve placed the image (and/or your eye) before the focus point.  Play around with it and find out where the focus point is.  Slide your lenses along a yardstick to easily measure distances.

How to Make a Telescope

Materials:

  • 2 hand held magnifiers
  • window

Want to experiment further? Then click for the Optical Bench experiment and also sneak a peek at the Advanced Telescope Building experiment where you will learn about lenses, refractor, and newtonian telescopes.

Ready to buy your own professional-quality instrument that will last you all the way through college? Click here for our recommendations on microscopes, telescopes, and binoculars.
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spectrometer2Spectrometers are used in chemistry and astronomy to measure light. In astronomy, we can find out about distant stars without ever traveling to them, because we can split the incoming light from the stars into their colors (or energies) and “read” what they are made up of (what gases they are burning) and thus determine their what they are made of. In this experiment, you’ll make a simple cardboard spectrometer that will be able to detect all kinds of interesting things!


SPECIAL NOTE: This instrument is NOT for looking at the sun. Do NOT look directly at the sun. But you can point the tube at a sheet of paper that has the sun’s reflected light on it.


Usually you need a specialized piece of material called a diffraction grating to make this instrument work, but instead of buying a fancy one, why not use one from around your house?  Diffraction gratings are found in insect (including butterfly) wings, bird feathers, and plant leaves.  While I don’t recommend using living things for this experiment, I do suggest using an old CD.


CDs are like a mirror with circular tracks that are very close together. The light is spread into a spectrum when it hits the tracks, and each color bends a little more than the last. To see the rainbow spectrum, you’ve got to adjust the CD and the position of your eye so the angles line up correctly (actually, the angles are perpendicular).


You’re looking for a spectrum (the rainbow image at left) – this is what you’ll see right on the CD itself. Depending on what you look at (neon signs, chandeliers, incandescent bulbs, fluorescent bulbs, Christmas lights…), you’ll see different colors of the rainbow. For more about how diffraction gratings work, click here.


Materials:


  • old CD
  • razor
  • index card
  • cardboard tube

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Download Student Worksheet & Exercises


Find an old CD and a cardboard tube at least 10 inches long.  Cut a clean slit less than 1 mm wide in an index card or spare piece of cardboard and tape it to one end of the tube.  Align your tube with the slit horizontally, and on the top of the tube at the far end cut a viewing slot about one inch long and ½” inch wide.  Cut a second slot into the tube at a 45 degree angle from the vertical away from the viewing slot.  Insert the CD into this slot so that it reflects light coming through the slit into your eye (viewing slot).


Aim the 1 mm slit at a light source such as a fluorescent light, neon sign, sunset, light bulb, computer screen, television, night light, candle, fireplace… any light source you can find.  Look through the open hole at the light reflected off the compact disk (look for a rainbow in most cases) inside the cardboard tube.


Troubleshooting: This is a quick and easy way to bypass the need for an expensive diffraction grating. Use your spectrometer to look at computer screens, laptops, night lights, neon lights, candles, campfires, fluorescent lights, incandescent lights, LEDs, stoplights, street lights, and any other light sources you can find, even the moon through a telescope.


To make a CALIBRATED Spectrometer, go here.


Exercises


  1. Name three more light sources that you think might work with your spectroscope.
  2.   Why is there a slit at the end of the tube instead of leaving it open?

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This is the simplest form of camera – no film, no batteries, and no moving parts that can break. The biggest problem with this camera is that the inlet hole is so tiny that it lets in such a small amount of light and makes a faint image. If you make the hole larger, you get a brighter image, but it’s much less focused. The more light rays coming through, the more they spread out the image out more and create a fuzzier picture. You’ll need to play with the size of the hole to get the best image.


While you can go crazy and take actual photos with this camera by sticking on a piece of undeveloped black and white film (use a moderately fast ASA rating), I recommend using tracing paper and a set of eyeballs to view your images. Here’s what you need to do:


Materials:


  • box
  • tracing paper
  • razor or scissors
  • tape
  • tack

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Download Student Worksheet & Exercises


Here’s the quick set of instructions:


1. Use a cardboard box that is light-proof (no leaks of light anywhere).
2. Seal light leaks with tape if you have to. Cut off one side of the box (Note – there’s no need to do this if you’re using a shoebox).
3. Tape a piece of tracing paper over the cutout side, keeping it taut and smooth.
4. Make a pinhole in the box side opposite of the tracing paper.
5. Point the pinhole at a window and move toward or away from the window until you see its image in clear focus on the tracing paper.


OPTIONAL: You can hold up a magnifying glass in front of the pinhole to sharpen the image.


Exercises


  1.  How do the images appear when they’re projected onto the paper inside your camera?
  2. Why do you think it’s important to make the box as light-proof as possible?
  3. Is there a part of your body that works similarly to the pinhole?
  4.  Sketch a picture of something you saw through your pinhole camera.

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Here’s a trick question – can you make the color “yellow” with only red, green, and blue as your color palette?  If you’re a scientist, it’s not a problem.  But if you’re an artist, you’re in trouble already.


The key is that we would be mixing light, not paint.  Mixing the three primary colors of light gives white light.  If you took three light bulbs (red, green, and blue) and shined them on the ceiling, you’d see white.  And if you could magically un-mix the white colors, you’d get the rainbow (which is exactly what prisms do.)


If you’re thinking yellow should be a primary color – it is a primary color, but only in the artist’s world.  Yellow paint is a primary color for painters, but yellow light is actually made from red and green light.  (Easy way to remember this: think of Christmas colors – red and green merge to make the yellow star on top of the tree.)


As a painter, you know that when you mix three cups of red, green, and blue paint, you get a muddy brown. But as a scientist, when you mix together three cups of cold light, you get white.  If you pass a beam white light through a glass filled with water that’s been dyed red, you’ve now got red light coming out the other side.  The glass of red water is your filter.  But what happens when you try to mix the different colors together?


The cold light is giving off its own light through a chemical reaction called chemiluminescence, whereas the cups of paint are only reflecting nearby light. It’s like the difference between the sun (which gives off its own light) and the moon (which you see only when sunlight bounces off it to your eyeballs). You can read more about light in our Unit 9: Lesson 1 section.


Here’s what you need:


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Download Student Worksheet & Exercises


You can demonstrate the primary colors of light using glow sticks! When red, green, and blue cold light are mixed, you get white light.


Simply activate the light stick (bend it until you hear a *crack* – that’s the little glass capsule inside breaking) and while wearing gloves, carefully slice off one end of the tube with strong cutters, being careful not to splash (do this over a sink).


Cut off the ends for all three light sticks. Pass the contents of the light sticks through a coffee filter (or paper towel) into a disposable cup – this will capture the glass bits. Now your cup should be glowing white.


Sometimes the chemical light sticks contain a glowing green liquid encapsulated within a red or blue plastic tube, so when you slice it open to combine it with the other colors, it isn’t a true red. Be sure that your chemical light sticks contain a glowing RED LIQUID and BLUE LIQUID in a clear, colorless plastic tube, or this experiment won’t work. Order true color glow sticks here.


Exercises


  1.     What color do you get when you mix blue and green liquid lights?
  2.     What happens when you start to add the red light?
  3.     What is your final color result when mixing red, blue, and green lights?
  4.      How would your result differ if you instead mixed red, blue and green paints?

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When you warm up leftovers, have you ever wondered why the microwave heats the food and not the plate? (Well, some plates, anyway.) It has to do with the way microwave ovens work.


Microwave ovens use dielectric heating (or high frequency heating) to heat your food. Basically, the microwave oven shoots light beams that are tuned to excite the water molecule. Foods that contain water will step up a notch in energy levels as heat. (The microwave radiation can also excite other polarized molecules in addition to the water molecule, which is why some plates also get hot.)


One of the biggest challenges with measuring the speed of light is that the photons move fast… too fast to watch with our eyeballs.  So instead, we’re going to watch the effects of microwave light and base our measurements on the effects the light has on different kinds of food.  Microwaves use light with a wavelength of 0.01 to 10 cm (that’s ‘microwave’ part of the electromagnetic spectrum). When designing your experiment, you’ll need to pay close attention to the finer details such as the frequency of your microwave oven (found inside the door), where you place your food inside the oven, and how long you leave it in for.


Materials:


  • chocolate bar (extra-large bars work best)
  • microwave
  • plate
  • ruler
  • calculator
  • pencil and paper

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Download Student Worksheet & Exercises


First, you’ll need to find the ‘hot spots’ in your microwave.  Remove the turntable from your microwave and place a naked bar of chocolate on a plate inside the microwave.  Make sure the chocolate bar is the BIG size – you’ll need at least 7 inches of chocolate for this to work.  Turn the microwave on and wait a few minutes until you see small parts of the chocolate bar start to bubble up, and then quickly open the door (it will start to smoke if you leave it in too long).  Look carefully at the chocolate bar without touching the surface… you are looking for TWO hotspots, not just one – they will look like small volcano eruptions on the surface of the bar.  If you don’t have two, grab a fresh plate (you can reuse the chocolate bar) and try again, changing the location of the place inside the microwave.  You’re looking for the place where the microwave light hits the chocolate bar in two spots so you can measure the distance between the spots. Those places are the places where the microwave light wave hits the chocolate.


Open up the door or look on the back of your microwave for the technical specifications.  You’re looking for a frequency in the 2,000-3,000 MHz range, usually about 2450 MHz.  Write this number down on a sheet of paper – this tells you the microwave radiation frequency that the oven produces, and will be used for calculating the speed of light. (Be sure to run your experiment a few times before taking actual data, to be sure you’ve got everything running smoothly.  Have someone snap a photo of you getting ready to test, just for fun!)


When you’re ready, pop in the first food type on a plate (without the turntable!) into the best spot in the microwave, and turn it on.  Remove when both hotspots form, and being careful not to touch the surface of the food, measure the center-to-center distance using your ruler in centimeters.


TIP: If you’re using mini-marshmallows or chocolate chips (or other smaller foods), you’ll need to spread them out in an even layer on your plate so you don’t miss a spot that could be your hotspot!


How to Calculate the Speed of Light from your Data

Note that when you measure the distance between the hotspots, you are only measuring the peak-to-peak distance of the wave… which means you’re only measuring half of the wave.  We’ll multiply this number by two to get the actual length of the wave (wavelength).  If you’re using centimeters, you’ll also need to convert those to meters by dividing by 100.


So, if you measure 6.2 cm between your hotspots, and you want to calculate the speed of light and compare to the published value which is in meters per second, here’s what you do:


2,450 MHz is really 2,450,000,000 Hz or 2,450,000,000 cycles per 1 second


Find the length of the wave (in cm): 2 * 6.2 cm = (12.4 cm) /(100 cm/m) = 0.124 meters


Multiply the wavelength by the microwave oven frequency:


0.124 m * 2,450,000,000 Hz = 303,800,000 m/s


Published value for light speed is 299,792,458 m/s = 186,282 miles/second = 670,616,629 mph


Click here to learn how to turn this project into a Science Fair Project you can enter!


Exercises


  1. What would happen if you used cheese instead of chocolate?
  2. Does it matter where in the microwave the chocolate is located? Does placement of the chocolate affect the wavelength?
  3. Can you explain what the burn marks on the chocolate bar are from?

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ss-lwImagine you’re a painter.  What three colors do you need to make up any color in the universe?  (You should be thinking: red, yellow, and blue… and yes, you are right if you’re thinking that the real primary colors are cyan, magenta, and yellow, but some folks still prefer to think of the primary colors as red-yellow-blue… either way, it’s really not important to this experiment which primary set you choose.)


Here’s a trick question – can you make the color “yellow” with only red, green, and blue as your color palette?  If you’re a scientist, it’s not a problem.  But if you’re an artist, you’re in trouble already.


The key is that we would be mixing light, not paint.  Mixing the three primary colors of light gives white light.  If you took three light bulbs (red, green, and blue) and shined them on the ceiling, you’d see white.  And if you could magically un-mix the white colors, you’d get the rainbow (which is exactly what prisms do.)


If you’re thinking yellow should be a primary color – it is a primary color, but only in the artist’s world.  Yellow paint is a primary color for painters, but yellow light is actually made from red and green light.  (Easy way to remember this: think of Christmas colors – red and green merge to make the yellow star on top of the tree.) It’s because you are using projection of light, not the subtrative combination of colors to get this result.


Here’s a nifty experiment that will really bring these ideas to life (and light!):


Materials:


  • flashlight (three is best, but you can get by with two)
  • fingernail polish (red, green, and blue)
  • clear tape or cellophane (saran wrap works too)
  • white wall space

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Download Student Worksheet & Exercises


Here’s what you do: Find three flashlights. Cover each with colored cellophane (color filters) or paint the plastic lens cover with nail polish (red, green, and blue). Shine onto a white ceiling or wall, overlap the colors and make new colors. Leave the flashlights on, line them up on a table, turn off the lights, and dance – you will be making rainbow shadows on the wall! In addition, you can paint the lens of a fourth flashlight yellow to see what happens.


When you combine red and green light, you will get yellow light. Combine green and blue to get cyan (turquoise). Combine blue and red to get magenta (purple). Turn on the red and green lights and the wall will appear yellow. Wave your hand in front of the lights and you will see cyan and magenta shadows. Turn on the green and blue lights, and the wall turns cyan with yellow and magenta shadows. Turning on the blue and red give a magenta wall with yellow and cyan shadows. Turn on all colors and you will get a white wall with cyan, yellow, and magenta shadows – rainbow shadows!


Troubleshooting: This experiment has a few things to be aware of. If you’re not getting the colored shadows, check to be sure that the flashlight is bright enough to illuminate a wall in the dark. Be sure to shut the doors, shades, windows, and drapes. In the dark, when you shine your red flashlight on the wall, the wall should glow red. Beware of using off-color nail polish – make sure it’s really red, not hot pink.


If you still need help making this experiment work, you can visit your local hardware store and find three flood lamp holders (the cheap clamp-style ones made from aluminum work well – you’ll need three) and screw in colored “party lights” (make one red, one green, and one blue), which are colored incandescent bulbs. These will provide a lot more light! You can also add a fourth yellow light to further illustrate how yellow light isn’t a primary color. Try using only red, yellow, and blue… you’ll quickly find that you can’t obtain all the colors as you could with the original red-green-blue lights.


Exercises


  1.  What are the three primary colors of light?
  2.  What color do you get when mixing the primary colors of light?
  3. How do you mix the primary colors of light to get yellow?
  4. Use crayons or colored pencils to draw what you saw when all three lights were shining on the wall and you waved your hand in front of the light.

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